Home is where the heart is .Discuss in relationship to the oceanfarer. This is an interesting flavour to apply to The diddlyshit, whose narrator seems to feel a sense of be whilst travelling the ocean despite the fact that he is only(prenominal) disillusioned with its rigors .The main character undergoes a trans attaination in what he considers home and this dramatically affects his tone and lifestyle. Towards the end of The yap the poet forces us to consider our mortality, and seems to push the notion that life is only a journey and that we will not truly be at home until we are with God . The beginning(a) fount of a sense of home in this poem comes with the rendering of the antecedent life of the narrator in his pre-seafaring days. He leaves his gray-haired life for some unspecified reason, telling us that he was have sex off from his kinsmen, and he talks about this with a decided sense of regret and loss. Winter on the sea is presented as an exile or wræcan1 , a form of punishment where someone is forced to leave their homecommonwealth, the perpetrate where they belong. It seems that in the primordial stages of the poem the seafarer identifies his life with his kinsmen on land as his home, the localise that he belongs. At first he does not seem content with his seafaring life. During the early descriptions of his condemnation there, it is painted as a life of hardship and penance. Images and adjectives of the sea and life there are harsh and foreboding- frappe coldness, hung round with icicles , fettered with frost. The sea is seen as cold, and not just in the physical sense .It is remote, a place of despair , an earthly purgatory, where there is always... If you want to withdraw a full essay, order it on our website: BestEssayCheap.com
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