Women argon usually but not always the solitary(prenominal) victims of the complaisant organisation created by men. In Shakespe bes famous tragical drama, Othello, legion(predicate) faces, both male and female, are represented negatively and through their suffering the audience feels sympathy towards them. Desdemonas rebellion against her family in eloping with Othello, a black army general, forgets in her untimely death. Emilia, on the otherwise hand, is compliant, to the remote society, to a point whereby she becomes an unwitting woodpecker for her husband. Othello and Cassio are both represented as world outsiders. As a result of the xenophobia associated with the white hegemonic Venetian society, these men are do to feel vulnerable making them easy targets for Iagos manipulation. Therefore, tied(p) in this patriarchal society, the men, like the female characters, suffer as a result of their societies values and morals. The objectification of Desdemona by other chara cters, demonstrates the marginalised precondition of women in Venetian society. Initially Desdemona would have been seen as a radical character by the patriarchal audience. She goes against her father and family, by eloping with Othello and then when he goes to Cyprus, she argues, successfully, to go to Cyprus with him, rather than being the conventional wife who stayed at home and waited for her husbands return.
Ironically, the only male to breed Desdemona as an equal, is Othello, a male ostracised by the Venetian society, Oh, my good warrior! The rest of the males externalize Desdemona for her beauty, labelling her as being the epitome of the perfect adult female harmonize to V! enetian views; She is a most exquisite dame and she is therefore perfection. Therefore, Desdemona is only recognised by her husband as being an equal, who is also marginalised. As Othello is viewed as an outsider in Venetian society, Desdemona is also... If you want to get a full essay, separate it on our website: BestEssayCheap.com
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